~~~Ill Mannered and Occasionally Unseemly Outbursts~~~ "If you can't be a good example, then you'll just have to be a horrible warning." --Catherine Aird
Tuesday, June 12, 2012
Dead, for a ducat, Dead! Part 2-The Ducats
Saturday, June 09, 2012
Dead, for a ducat, Dead! Part 1-The Class
A text message from a neighbor: “Did you see your mail today?” I hadn't. Intrigued I headed for the mailbox and saw what appeared to be junk mail. I turned it over, a large postcard type item, and saw that it was an announcement for a free one hour class to be held at a local coffee shop. The class topic was how to get a conceal carry permit, and it said the first ten people to show up would get a free encyclopedia of armaments: great full color pictures of pistols, revolvers and sub-machine guns. I was surprised that this particular coffee shop would have this class there. The place is routinely full of artist types, bicycles chained up on one side in the street, nice chats held out front. A regular gathering place for locals, its denizens would probably be labelled at first glance as having a bohemian liberal bias. Definitely not the kind of place I think of when I think of guns. At first I was just surprised and I tossed it into the trash. A few minutes later I was curious and retrieved it. I decided that I wanted to see which of my neighbors would attend, would want this kind of information, would think this was a good idea.
Tuesday, May 15, 2012
Swim, Baby, Swim
Saturday, May 05, 2012
Stabat Mater Dolorosa on Mother's Day
17 years old. 13 years old. Babies.
8th grade girl's bullet ridden body. Girlfriend of the 8th grade boy shot the day before. Possibly for shooting hoops (not bullets) in the wrong neighborhood.
And a woman is summoned to the morgue. She stands behind a window. The shades are drawn and lifted. On a shiny metal slab is a body. The body of her son. Of her daughter. Her knees give out. She drops to the floor. She keens. She wails. She cries. She tried her best and yet, there is her child. In the morgue. Nothing but a statistic in the ongoing gun battle. When another boy died the day before, in New Orleans East, the gunman shot a dog. A pitbull named Spartacus. A great dog. Protected the family. Wonderful dog. A fund is quickly formed to pay for the surgery needed for the dog. The humans have to figure out the funeral and the grieving themselves. A senseless tragedy.
Across town another woman quakes in the sterile halls of a hospital. The child whose eyes she sheltered as the pediatrician administered the well baby shots now has needles attached to tubes in both arms. The doctor tells her that her son might not walk again as the bullet nicked the spinal cord. The doctor tells her that her daughter might not see as the bullet might have caused some irreversible nerve damage. She cries silently and only outside the room. Her knees can't buckle. She'll have to be strong to help her child through this. She'll have to figure out the hospital bills and the rehabilitation and the permanent changes to her house and life that this injury will cause. She'll have to figure it out herself. A senseless tragedy.
In another part of town, a woman watches as the son she held up by both hands as he learned to walk takes his last steps as a free person. He is held on both arms now, by uniformed officers and there are chains around the ankles she delighted in seeing wobble uncertainly 16 years earlier. She may never get a chance to speak to her child except through glass again. He's still so young but his life is over. She doesn't understand why he picked up a gun and pulled the trigger. She tried so hard to keep him from that. She will blame herself. She will cry into her pillow alone in the dark, wishing she could hear his step in her house once more. She'll get little if any support in her loss. She'll keen and she'll wail and she'll notice the averted eyes of her neighbors and hear them clucking behind their drawn shades. She'll obsess over what she did wrong, mentally analyzing every minute of those 17 years. She'll never figure it out herself. A senseless tragedy.
A week from now is Mother's Day. We send candy, flowers, fruit with chocolate covering. We send whatever we think Mom would like.
These mom's would like nothing more than to have their kids bitch about the curfew they imposed, or hear their kids complain about the spaghetti they're eating when they wanted something else. They won't get that. They will get silence. They'll be trying to decide where to put the memorial card. They'll be trying to figure out how to pay the mortgage or the rent after ante-ing up the cost of the funeral, or the hospital bill, or the payment to the lawyer or bondsman. They'll be staring into a closet filled with the clothes that their kids cared about. Wow. She loved that red skirt. Wow. He was so proud of that Saint's jersey. And she'll stand at the closet, and she'll stand at the door, and she'll jump at the sound of the phone. Then she'll turn around and realize that he or she isn't coming home. Then she'll stare into a casket, or a hospital bed, or a prison visitor booth looking at her child, the one she carried, the one she taught to walk, the one she taught the alphabet to, in that red skirt or that Saint's jersey, not looking like she remembered as he or she vaulted out the door laughing at her overprotectiveness.
These are kids. Our kids. Their kids. OUR kids.
The blood is running down the streets like water after a rainstorm. The cop shop says isn't it terrible. The DA files a case against the accused. We all jump with glee that the asshole that did the shooting is caught.
And the mothers keen. And the mothers will never recover. And the family is broken beyond repair. And the mothers keen.
Why are we not looking at the societal issues that cause a 17 year old kid to feel that shooting a gun is the only way to settle a debt, or a moment of disrespect, or to make them a man? Why are guns so easily bought? Are we entering an entirely Darwinian age? Those who are the strongest by virtue of the weapons they carry are the winners? Really? Why are we not furious at this situation?
Why are we not raging at the idiots who rail in newspaper comments' sections that we don't need more and better schools, or after school programs, or more teachers, or more mentors. What we need, they say, is more prisons, harsher prison sentences, more locks and keys. More cemeteries perhaps? Certainly more guns, in my purse, in my pocket, strapped to my ankle, hey, come to the coffee shop for a conceal carry class. It's free.
People. THINK. FEEL. LOOK AT THIS MESS.
I frankly don't think the “Framers” had this in mind when they wrote the second amendment. Do ya really think they envisioned “that a Glock is due to all?” I think the NRA and their big bucks lobbying is part of the problem, not the solution. Call me a commie. Call me a socialist. Call me whatever you want. Are you really that cold that you can't imagine for one minute what being in the place of one of those mothers would feel like? Seriously? Without the guns the kids would have a fist fight, you know, like the old days, and the mom would pull out the iodine and the bandaids. Without the guns the mom would have to explain that sometimes leaving the fight is the better choice. Without the guns the mother would be able to make pancakes for their kid on Mother's Day while bitching that they should have made them for her.
Ah. I see. Y'all are reading this thinking to yourselves that these Mom's are all, oh, I dunno, crack whores, welfare queens, certainly baby mama's that didn't think ahead. Certainly some are, and you bet there's some really bad parenting going on, but you'd be overwhelmingly wrong on one count. Statistics show that most welfare moms are white. But hell, why should a fact interfere with your pre-conceived notion of the world? I mean, really? You have your ideas, and thems the facts regardless of proof to the opposite.
Nevermind your latent (or not so latent) racism. Yeah. I know. You're not a racist. You have a black friend. Maybe. Okay, not a friend exactly but a black person you work with. And that let's you skate. In your mind. How is it that you assume that the children mentioned above are black? Why not Hispanic or Asian? Oh yeah. Asians are good at math. Nevermind the Asian gangs. Or the Hispanic gangs. Or the WHITE gangs. Think Aryan Brotherhood. Or Neo Nazi's. What the hell is that about? We have a wife of a North Carolina (I think) senator talking about how some proposition before a vote that is mostly about gay marriage will somehow protect the “Caucasians”. No. I couldn't make that up. All of them have guns, possibly even that Senator's wife. (Hey, Second Amendment sez we can, you stupid liberal bitch. I can have a whole bushel of them, and I can't help it if those project people, or the barrio people, or the trailer park people, or the Chinese alley people have them too. I need MINE to protect myself from them, so stow it.)
You are also probably assuming, along with the fact that all these tragedies are only found within black communities, that the Moms we're talking about are single and unemployed. Nice indictment of an entire segment of our society—easy, bumper sticker thinking: Teen mother, on welfare, lives in project, no husband. While certainly that tidy little stereotype exists, it cannot be applied to everyone. We gotta stop that. Besides, it is really insulting to all those dads out there who are holding up their buckling wives.
In New Mexico the blood is running too. Only there the commenters say: “Yeah well the vatos are shooting each other. Probably illegals anyway.” Every major metropolitan area has the blood of children running in the streets, it's not just us. This is a nationwide problem that more prisons and more cemeteries won't fix.
It comes down to what kind of country do you want.
One where every one is armed and we assume the “other” is dangerous? Those kinds of assumptions get people killed. Ask Trayvon Martin's family.
Or how about one where everyone is scared to death of the police they should be able to turn to when there is a real danger? An over-amped paramilitary crew with itchy trigger fingers and only rare and lengthy (let's get past a couple of news cycles and it'll fade away) accountability?
Or one where we take an entire generation of kids and just consider them lost to the streets? Even that choice would require that some pre-emptive and positive action be taken for the tiny ones. Things like daycare options, education that's meaningful to them, and I dunno, FOOD. Wouldn't be a bad thing to add some healthcare options in there. Mental health care, the red headed step-child, as well.
It's easy to say the P word if it's prison. Not so easy if it's poverty.
By now, if you're still reading this, you are either arguing with me, agreeing (maybe only in part) with me, or tossing your sandwich at the monitor hollering “Apologist!” I never once said that the shooters should go unpunished, I only decried the loss of a young person's life to an irrevocably bad choice in pulling that trigger. What I am saying is that we, as a nation, as a city, as a neighborhood, need to figure out why so many make that choice. We need to decide if we're going to be a reactionary, Darwinian society where the bigger bullet wins, and the blood runs down the streets, and the children are carted away in hearses and ambulances and cop cars and prison vans, and we're okay with that. Or are we going to take a long hard look at this seemingly intractable problem of violence, and a really good look at ourselves in the mirror under the harshest light we can find. In doing that we'll have to face some hard truths: some of us run to the easy fear, the easy stereotype, the easy racism, the easy .38. Our shoulders have to start cramping up from all the fucking shrugging we do at some point. Our necks will seize up if we keep shaking our heads upon hearing the news. Our tears must give way to outrage. Once that happens we have to find a way to listen to each other and not shout each other down as we look for solutions. There are no quick fixes, but we can't just throw up our hands and throw these kids away.
These are kids. Our kids. Their kids. OUR kids.
And the sound you hear next Sunday emanating from houses all over this country won't be back up singers for your favorite band. They'll be mothers. Wailing. Keening. The Stabat Mater Dolorosa rising in sorrow. Inconsolable.
As we should be.
Friday, April 27, 2012
Slumber Parties, Death Songs and DNA
I was at French Quarter Fest and over the speaker came a song I knew all the lyrics to: Who Shot the Lala by Oliver Morgan. I didn't identify the singer at the time just knew all of the lyrics. Like automatic pilot they came spilling out of me onto the grass. There were others of my vintage singing along as well. “I heard it was a .44.”
I was a lucky kid. On top of our fridge was a radio. AM radio. My mama had it on as we ate our cereal, fruit juice, milk and the One a Day vitamin that lay in our spoons as we headed off to school. I heard all the latest and greatest. Not sure to this day if Mama knew how much she was shaping me and my musical tastes. (It was thanks to that fridge radio that I first heard the Beatles and the Rolling Stones.) The poor lady had no sense of rhythm but seemed to like music, although fact is I don't know if she listens to music for fun now. I'll have to ask her. But back then she played the radio and had a few albums. Hell, she turned me onto Harry Belafonte without realizing it. Nevermind it was next to the Mills Brothers and Mario Lanza (Drink, drink drink!). That AM radio and the Ed Sullivan Show planted a lot of songs and artists in my head.
So somewhere in my psyche lay Oliver Morgan and Lawrence “Lala” Nelson and the .44. I heard it that day and I realized that I had no earthly clue who or what the “Lala” was. So I set about investigating (which got bonus points for justifying my procrastination on a bigger project). In the process I uncovered a possible murder mystery embroiled in the entire New Orleans dynastic music scene. It was a joy. Forget that everyone else I know seemed to already know the story. Lawrence “Lala” Nelson was the brother of “Papoose” Nelson, the guitar player for Fats Domino—and the pedigree and totally overlapping business that is New Orleans musical dynasties goes on and on. I now am the proud owner of an Orpheus oversized doubloon with Oliver Morgan on it, and the title of the song as well, along with a pristine .45 (no NOT a gun) record of the song. I can't wait to hear it on a turntable.
But how'd I get there? Why was I so curious about the Lala?
Well, I was listening to the songs on the radio over my pineapple/orange juice. We heard the Four Seasons, the Beach Boys, Little Richard, Jerry Lee Lewis, all the Motown stuff, Wilson Pickett, James Brown, Otis Redding. That list is actually much longer. But a lot of the songs we heard were about death. Really romantic death—or so it seemed at that age.
Jan and Dean's Dead Man's Curve with the doomed race between a Corvette and a Jaguar. Last Kiss with Frank Wilson and the Cavaliers (about 1964, I was in fourth grade) about the car crash, him holding her tight and losing his love, his life, that night. Nevermind Tell Laura I Love Her. They were all sort of mysteries. (I mean they were young and they died! That in itself was the mystery since only old people died.) Romantic mysteries to be sure, but mysteries that didn't send me off to Google to find out who died/cause of death/was it a who or a what: indeed was it real. Most of those were mysterious only in their idiocy, as in “guess I'll enter a race to buy you a wedding ring.” Pfffft! Kids!
I heard Stagger Lee, the Lloyd Price version, back then. I knew completely that Lee shot Billy over a Stetson hat with a .44. The first version of House of the Rising Sun that I heard was the Animals: Eric Burdon plaintively wailing about his sins, not technically a death song. Although certainly at that age I could only imagine what those sins were, they were clearly romantic and probably deadly. (Most certainly deadly in the sinnin' way if I had asked the local priest.)
But at every slumber party, .45's like Last Kiss were played. There we were, with rollers in our hair, boobless chests heaving, tears welling up in our eyes, it was too, too too too romantic to stand. Oh, just so :::sob:::
Tuesday, February 14, 2012
Between St. Roch and a Hard Place
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Neighbors. Seems I've been writing about neighbors one way or another for a little while now. I've always told people that I've never met friendlier people than reside here in New Orleans. Lately though I've found some anomalies in the tapestry of friendliness and neighborliness.
I remember someone telling me a story about a person who had moved into the French Quarter, a lifelong dream. It wasn't Bourbon Street, I can't remember exactly where, Dauphine or Burgundy Street perhaps, at any rate off the tourist path for the most part. After a little while they started complaining about the bar across the street, a bar that had been there for decades catering mostly to locals. I couldn't help but wonder upon hearing that story, if somewhere between the “hey this place has good closet space” and “I'll sign the lease” they really hadn't noticed that they were moving in across from a bar. Just didn't see it? I guess it's possible, unlikely, but possible. Now having moved there they wanted the bar to change its ways, quiet down, stop people from talking outside just by virtue of their entitled ass having moved in there. I was incensed when I heard that story.
When we moved into a house near a 24 hour market, we knew it was there and signed the lease anyway. The market has been here longer than we've been in the house, not decades, but longer than we have. We knew it was there when we moved in. We knew it was open 24 hours. We don't now get to get pissy and ask that they close at ten. We made the choice, as did the French Quarter resident. There seems to be a spate of whininess on the part of people in neighborhoods that they chose to move into, probably making that choice BECAUSE of the very things they now complain about. These neighbors seem to be multiplying. But that's a story for another day.
The neighbors in this story are different. They seem to be pursuing some sort of vendetta.
On the corner of St. Roch and Marais you will find the St. Roch Tavern. For those of you familiar with Buffa's on Esplanade, I've always been sure that the St. Roch was designed and/or built by the same bunch as they both sport unique windows that remind me of submarine ports, not that I've actually seen a submarine port. Long ovals, atypical design for windows in the areas surrounding both places. One day I'll verify my theory. But this isn't about architecture interesting though that may be. That too is a story for another day. This is about neighbors and livelihoods and gathering places.
Opening in the 1930's, Caranek's (which can still be found in a browser search, sometimes called Caranek's Ale House) was a neighborhood tavern. Operated by the family for nearly 70 years, it has always been a tavern. A local watering hole. A gathering place. Nine years ago the Caranek family sold it (I heard that one of the last of the Caranek owners recently passed away at the age of 84 meaning that that particular Caranek traipsed through those doors at about 4 years old. Remarkable.) About nine years ago the Caranek's sold it, but their name is still embedded in the tiles on the step and in the back of the place near the pool table.
Having worked in casinos and eventually construction, John Victorson decided after spending a few days working underneath a house trying to avoid a large population of spiders that there had to be a better way to make a living. He bought the business, which by then had been renamed the St. Roch Tavern. While he might find a spider here or there behind the bar, most of the spiders he'd see now would be people in costumes with eight limbs. That sounded good to him and he happily threw himself into running the St. Roch. He also felt strong ties to the past and prided himself on keeping the neighborhood character of the place intact.
At the St. Roch on any given night, there is an interesting population of patrons: maybe some young black men playing pool being watched by young white Goth'd out kids sharing a pitcher and a hot dog, while an elderly lady plays the poker machines. Performers, musicians, little old ladies on a pension, skinny 21st century punks with puppets or puppies (used to be able to take your dog in there—no more, and that's too bad), a tall black man who suddenly turns around and belts out a song with pipes reminiscent of Sam Cooke, filmmakers, a large lady who hollers Who Dat and hugs you for every touch down the Saints make, poets and artists, sometimes one and the same person, will give impromptu readings of poems just now scribbled down on a napkin.

Along with that diverse group, occasionally the likes of Dr. John, Deacon John, Al “Carnival Time” Johnson, and others will show up, maybe do a set, maybe be there in support of a friend. That old piano in there has been played by many hands. Hands filled with talent, hands with no talent at all, drunken hands, awkward hands, and I-can-still-play-chopsticks hands. I'll have to ask if it's original to the place. It might well be.
In the last 18 months or so, St. Roch Tavern has been the target of a concerted effort to harass the bar itself and its customers. Launched by a neighbor, who in fact used to work there, it has become a purposeful, obsessive attack which has spilled out on occasion to the neutral ground. While there hasn't been a ticket for anything written inside or outside the St. Roch in four years, according to one of the bartenders there, the police have been called over petty complaints repeatedly by this neighbor. The City Council person, Kristin Gisleson Palmer, has also gotten complaints. Formerly a partner in the food concern at St. Roch (not an employee, the food suppliers are separate business entities), this neighbor is on constant alert from reports I've heard. Evidently this guy and his domestic partner's sole purpose is to get the St. Roch Tavern shut down. (Who they'll harass if that happens I don't know, but it has become clear that these people are folks who need to have someone in the crosshairs in order to be happy.)
The constant harassment has taken some dark turns, reports of customers allegedly being physically attacked by these neighbors aren't rare. Verbal attacks are apparently standard fare. The staff is walking on eggshells in order to avoid drama. The livelihoods of St. Roch staff are being endangered by an obsession for vengeance. I wish I could ask the neighbors why, but I have no doubt that the answer would make no sense to me.
Bar on the corner for 80 years. Neighbors doing all this? Moved into the neighborhood barely 2 years ago. We can't let this neighbor and his partner close down a business out of vengeance. Police were called on New Year's Eve. Police were called Krewe du Vieux night. The Fifth District police want to see a show of support from those of us who care about this place. They've been very good at communicating what they need from us and I applaud that. Let's help them by contacting them, signing petitions, patronizing St. Roch Tavern.
Hell, let's light some candles to St. Roch, who has a long list of causes he's linked to, including: protection from storms, skin diseases, cholera, knee problems, dogs and those who love them, bachelors, invalids, surgeons, gravediggers, second hand dealers, apothecaries, those falsely accused and epidemics. Let's get him on this.
As John Victorson said, “I just want St. Roch Tavern to remain the hub of the neighborhood as it has been for 80 years. I want it to be all inclusive.”
Too bad these two neighbors don't see things the same way.
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Special thanks to Marlena Asher for the use of her photo of Dr. John with JD Hill at St. Roch Tavern a couple months ago.
Friday, January 13, 2012
Of Blight and Circumstance
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We all know that there is blight in some neighborhoods in New Orleans. We also know that some people are taking advantage of that blight to knock down homes, buy them for a song to fix up cheaply and rent out, or just to get a neighbor they have a grudge against up against a bureaucratic wall. Since the storm we've seen that happen all over town. In some cases blight complaints have ruined lives, dreams, futures.
Here in my neighborhood sits a beautiful old shotgun house. Built in 1866, it's the oldest house on our block. It was once occupied by members of the Tujague family. Mrs. Tujague had a niece who was her particular favorite. That niece was a member of the Poor Clare order, who had been shuttled hither and yon due to various diocesan edicts for many years. Although the Order had been invited to New Orleans around 1877, they had left for Cleveland for a while. Upon their return, Mrs. Tujague's niece was now Mother Mary Magdalen, the head of the local order, and the nuns moved into the house and used it as a base of operations from about June 16, 1885 until they built a proper monastery.
Now that is a great New Orleans story. But here's another one.
Kweku Nyaawie grew up in Central Texas based mostly out of Austin. A carpenter and cabinet maker, he came to New Orleans with his brother to help out with reconstruction of homes damaged by the Federal Flood in late 2005. He saw the destruction first hand and continued to work and save his money. At some point he decided to stay. He wanted to contribute to the community, buy a house, make it a home not a speculation project and found the shotgun at 616 Port Street. It needed work, but he knew he was the guy who could do it. He looked for period architectural pieces, was painstaking in his research, checked the history of the house, delighted in knowing that he'd be the one to restore this little bit of New Orleans history with the added bonus of living in it.
He got involved with the Community Garden Project in Treme and put his money and time into fixing the house. Long after the Poor Clares, the house had been purchased by a Mr. Frisbe, who lived there with his partner from 1977 until he passed away. His partner continued to live there until the storm. Kweku, or Ku as we all call him, bought it already needing repair in 2008. He loved working on the house and loved that it was exactly 100 years older than he was. When we moved here we knew him to say hello but never saw him because he was always at the Garden or working on that house.
Then came the summer of 2010. As Ku was riding his bicycle on Dumaine Street in the Sixth Ward, a black sedan hit him. Hard. Knocked completely off the bike, he watched as the car sped away without even checking to see if Ku was alright. He headed to his girlfriend's house battered, bruised and scratched badly. He didn't go to the ER as he thought he was just healing from some bad road rash and deep bruises. Knowing him now, my guess is that he also figured he'd just tough it out and he'd be fine. Weeks went by. His back still hurt. Months went by. His back still hurt. Then in December 2010 he realized that his legs wouldn't quite support his 6'3” frame. He headed off to the doctor but realized that he couldn't get the help he'd need here in New Orleans, he couldn't work so money was also an issue (given that the bastard who hit him took off, there was no insurance money coming in to help with medical bills), so he made the decision to move back to Austin and his family. Those of us who knew him were worried as we didn't hear from him.
He was busy. He spent nearly 14 months in therapy and is still on crutches with his legs still unable to support him. Although he's the most positive attitude guy in the world, he's also a proud man and a man who loves his house. He is unfortunately learning the lesson many of us learned after the storm: sometimes you gotta ask for help.
A few weeks ago he got a letter from the City. A hearing. Blight. Neighbors complaining. (We're neighbors, we couldn't figure out who would complain knowing how hard he'd worked and knowing what had happened to him.) At the hearing it was discovered that one complaint had come from a doctor (a DOCTOR? Wouldn't he know how devastatingly long spinal cord injuries can take to heal?) because some vines had overgrown the fence and were interfering with his backyard garden. (This doctor is also the owner of a lot of property on our block.) Evidently Ku's next door neighbor, an absentee homeowner and an attorney who lives in the house intermittently, wanted Ku's house demolished. Ku was given a list of things that had to be fixed or a $500 a day fine would be levied.(Although he wouldn't probably bring it up, he's one of only 2 black property owners on the four sides of this block, and some of us, though not Ku, can't help but wonder if that's a part of these complaints.)
Ku sat in an office chair for a week sanding the front of the house in order to get it ready for painting. Stand across from it and you can see how far the outer limit of his reach is, which frankly from a desk chair is impressive. Today he's working on the bricks that front the house from the sidewalk to the base of the house. Siding needs to be replaced for sure. His brother had been able to help for a while, but we heard he recently got a job so he's on his own for the moment and his next hearing is a week from today.
I am asking anyone out there who can help, who can climb a ladder, sand, paint, write a letter, anything that can toss a road block into the $500 buck a day fine that he can't afford, to get in touch.
This is the guy you WANT for a neighbor. This is the man you WANT to settle in New Orleans, buy property and make it home. This is the man you WANT to fix up an historically interesting home and not fill it with press board cheap fixes to rent out at an exhorbitant rate. We're outraged that knowing his situation, some of our neighbors chose this time, when he's most vulnerable, to call his home out as a blighted property. It's just not fair. It's also not JUST.
We know Mardi Gras is early this year. We're all tossing glitter around our living rooms and keeping feathers out of our cats' mouths and eating more King Cake than is good for us. I'm glad we're doing that. It's a part of New Orleans life and we love it. Kweku chose to set down roots here and become a part of the New Orleans community. There have to be some of us willing to help him, just as people like him helped us when we needed it.
Don't let a hit and run driver who changed his life be joined by hit and run neighbors with their petty complaints to the blight police. He chose to join us. He chose to come back to fight for his home. We need to choose to help him so he remembers why he wanted to join us here in the first place.
Please contact me if you can volunteer some time, some clout, some information. If we can build a float, we can paint a house.
Old Mrs. Tujague and Mother Mary Magdalen would want us to.
Tuesday, December 20, 2011
Soft Memories are Evergreen

When I was little, every year Mama would get out the ornaments as Dad fought the tree stand to make the tree balance perfectly straight as nothing else would do. Nearby would be aerosol cans of spray-on snow and several boxes of silver tinsel. The tree would be decorated, colored bulbs replaced, tinsel strewn carefully then finally tossed willy nilly at the branches. Then my Mama would take out the little church.
This little church seemed to me to be a cathedral. Tall steeple, rosette stained glass over the unopenable doors illuminated from within by a single little bulb. I would kneel next to the table it was placed on and turn the key to the music box that played Silent Night and be overcome not really knowing why. To my five or six year old self this was a thing of beauty and it was probably the first time I shed tears over something beautiful. For many many years that church was the big memory of Christmases past.
I left home and I guess the little church was retired at some point, replaced by the innumerable Snowmen that Mama loved, and as a result, became inundated with as my sisters and I scoured malls and catalogues for the perfect new snowman for her each year. I think she's probably retired many of those by now too. She finally asked us to please not send her anymore. By then they were practically taking over her house.
When my daughter was born, I cried again over beauty. She was and remains the most beautiful thing I've ever seen. Over the next few years the soft memories are of her two year old self choosing ornaments for our own tree and particularly delighting in a fake hard candy garland held together with weak monofilament. The fake candy had to be restrung periodically over the years, but she loved it. We didn't have much money then, so we made a star for the top of the tree out of cardboard and tinfoil. Even when we could afford to replace it we didn't for a long time. Each year she chose two or three ornaments and they would get added to our collection along with those sent by family and friends. Eventually they became more sophisticated with porcelain doll angels added to the ones she had chosen at two and the clay/cookie bell she made in kindergarten. Each year they would be carefully unwrapped and delighted in, one by one, and hung very deliberately on our tree. If she didn't like the placement, she'd change it.
One year I labored over a tree skirt, having decided that I would make this thing entirely by hand. Plaid taffeta pieces for the top, crocheted lace for the edges and the softest red corduroy I could find for the bottom. I've always maintained that I put too much polyfil in it, but it made a nice cushion for wrapped presents. Sometime around my daughter's 7th or 8th Christmas I tied it around her waist like a skirt and plopped a Santa hat on her head. For the next nearly ten years, that was the expected tree trimming outfit and she was wearing it still when at about 14 she insisted that I'd been putting the lights on all wrong for years so she would now take charge of the branch fluffing and lighting. She'd force her dad up to put the fish ornament she'd chosen for him up high and she'd dance in the tree skirt as he pretended to be Frank Sinatra or Elvis depending on what holiday music we were listening to. Not big on tree trimming, he'd provide entertainment with his finger snapping Vegas lounge act, also done in a Santa hat usually worn a la the Coneheads. Even after she married she wore that tree skirt to trim the tree one snowy Christmas on the mountain.
My grandson was born and I cried at beauty again: the beauty of him and the courage and determination of his mother who didn't have an easy time of it. As difficult as it was, her damn mascara and eyeliner never smudged. She swears by Maybelline, or is it Cover Girl, to this day.
When the boy child was not quite two, the three of us went to buy some new ornaments and other sundry things at a Hobby Lobby nearby. It might have been the year of her own tree skirt. I'm pretty sure I made it for her, but she might have done it herself as she had decided to learn to sew. Funny. I remember her buying the fabric but can't remember if I made it. I think I'll say I did. As I pushed the cart down the aisle I noticed my grandson grabbing a Father Christmas that was half the size he was and was unfortunately sitting on the bottom shelf just within his reach. I had not planned nor budgeted for that fabric covered cardboard cone with glorious curls and a perfect smile. I tried the age old distraction technique, some bells in one hand, the Father Christmas in the other trying to put him back on the shelf. My grandson was not having it. He wanted that damn Santa and that's all he knew. He kept handing it to me to put in the cart and I was sure he'd drop it and break the porcelain face, so I figured I'd put it in the cart and then plop it up somewhere later where he wouldn't notice. But instead, after I put the boy in the seat on the cart (facing away from the cart's contents was my reasoning), he turned around and laser beamed onto that face. He was in love. I most assuredly wasn't going to rid myself of the big jolly guy, so I put something else back and Santa came home with us.
Soft memories, all. Bathed in light, music box sounds, fingers snapping and laughter. They all look like Marilyn in the Misfits: shot through a heavily vasolined lens so the harshness and wrinkles won't show.
When Katrina came all the ornaments and that Father Christmas were in storage at Tulane and Broad. We weren't allowed in to the UHaul place for months. The stuff in there had been tossed around and dropped and stewed and mold had grown in places that the hydraulic fluid from the elevator hadn't bathed with its oil. With no lights in there as the power hadn't been restored, we signed the "not your problem if we die in there" waiver and entered it like miners from Germinal. I still don't know how my Christmas Sinatra opened that door, just sheer stubborn foolishness probably. When our flashlights saw the interior there were no words. But right on top of everything, wrapped tight in a plastic bag we saw our grandson's Father Christmas, seemingly unscathed.

It would take weeks to get through all the boxes of books and other treasures in that storage unit, but that Santa came home with us that day, a trophy, a gift, our crown jewel. We finally found the giant can of ornaments and most of them were trashed, but those that did survive I passed on to my daughter to put on her tree. A continuity from one set of memories to another.
Since then I think I put up a tree one year, but mostly I find it too difficult. I know the tree skirt survived and I think it's in the shed. Some folks don't understand my reluctance to put up a tree, but for me it triggers too many sweet memories mixed up with some very difficult ones, like when you put too much salt in a soup--Martha Stewart and her "drop a potato in and it'll absorb the salt" be damned.
But before you think me a total humbug, consider this. That Father Christmas is never in a box, never out of sight. He lives year around on a table in my living room. Some of the stryrofoam birds and eggs were pretty damaged, but removing them from his nest didn't hurt him any, and now he wears a special kind of Mardi Gras bead, the ones my grandson called World Record Beads. They are the old plastic cheapos with the push clasp that you can connect to one another. He once tried to make the Guinness Book of World Records by connecting one continuous string around Jackson Square in order to raise money for his school library. He actually made it all the way around the Square but Guinness wasn't interested to his great disappointment. I think his Father Christmas likes his new decorations.
And two years ago my Mama sent me the little church, a real surprise. My Mama is really good at getting rid of stuff, so I thought it had probably gone the way of my Beatle cards and 45's. It's so much smaller than I remembered it, and not nearly so grand, made of a now-yellowed plastic with a decal instead of leaded stained glass. The music box still worked, but the little church was pretty brittle with age. I found that my Dad had evidently put a bulb in it that was too hot, so the bottom of it is a little bit melted. Okay. A lot melted. Last year my Christmas Sinatra rigged a small maglite in there so I could see the stained glass decal lit up again from the inside. It was the best gift ever and yes, there I was crying again as I looked at it and heard the music box's sappy Silent Night pinging. The little church sits right in front of the Father Christmas, also never boxed.
I keep those soft memories in sight now as I stupidly never filmed the great tree skirted elf in her determined glory nor did I record the Sinatra songs as interpreted by a Conehead. I regret that. But I can still see them, and hear them, and remember the laser beam gaze of a tiny boy staring at a curly haired Santa. I still well up at the beauty of those memories: my father cussing at the tree stand, my mother trying to keep the tinsel off the rug, a totally futile exercise, my sisters handing out stockings with our names on them, Sinatra hanging a fish just below a tin foil star, the years that I was lucky enough to watch a little girl choose giant plastic lollipop ornaments growing up to deck her own house with lights, and a little boy whose belief in a magical being keeps me believing even when it's hard to. Incredible gifts all. Such luck I've had.
And the music box still works.
Sunday, November 27, 2011
Orbiting Coco Robicheaux
Coco Robicheaux passed away Friday evening. Much has been written about the man, his music, his artistry, his character and his seemingly mythical background. Much more will be written. Many of us spent yesterday between tears and laughter, blaring his music through our homes to let him know we're here thinking about him. I double checked my files to be sure that I hadn't lost the 40 minute live set I recorded on my phone at Mimi's a couple months ago. I regretted never having given him the eagle feather I had told him I'd bring when I saw him next. I remembered that the ancients believed there is a four day window between the time the soul leaves the body and its transition to the higher realms. I'll have to light a candle for him today so he sees it along the way.
I saw some great remembrances yesterday and gathered them together in a little mental basket hoping to amass more and maybe put together the ultimate collection of “Memories of Coco.” Lord David spoke of learning about kindness through Coco's admonishments. Louis Maistros told a great story of breaking his elbow after a bike fall near the French Market and Coco laying hands on him telling him he'd be okay. Mark Folse spoke of Coco's authenticity. My friend Pam, who knew him for twenty years, told a story of taking a seriously drunk Coco home decades ago and carrying him up the stairs (once they finally found the house that he had forgotten the location of) only to be stunned the next day when he remembered her name even though he had been toast the night before.
There were many, many people who knew him longer than I. Many who knew him better than I. But once you entered Coco's orbit, he knew YOU. If he knew you, he never forgot your name or passed by without acknowledging you. In the end, I decided to stick to my own memories, adding them to the collection that someone else will put together.
I first became aware of Coco Robicheaux as a member of an audience. Many audiences actually. I'd seen him lots of times and loved his music, my closest contact being the dropping of a couple bucks into the tip jar. Then one day I happened to be on Frenchmen Street. I walked into the Apple Barrel to grab a beer and found myself sitting next to the man. He looked over and said hello. After introductions, him introducing himself as though I wouldn't possibly have known who he was, we spent some time in regular bar stool small talk. It was not long after the storm. The next time I saw him we were across the street from each other on Frenchmen. I shouted hello, he responded with, “Hey, you're the girl with the guy's name! How ya doing?” After that there were many bar stool conversations.
One afternoon we spent a long time discussing the time I spent on Reservations in the Southwest and what I'd learned, comparing and finding similarities to his Native American Swamp knowledge. I actually wish I'd taped the conversation. We wound up deep in our cups and deep into a sort of theology of earth religion discussion. We delighted in each other's understanding and knowledge. I learned a lot that day.
Another day I was locking my bike to the tree just down from the Barrel. My lock, notoriously rusty and difficult, was giving me fits so I was concentrating hard on that lock, bent over it and probably cussing. He came quietly up behind me and gruffed hello. He had startled me and found that hilarious. He laughed and laughed, then started down the street. I asked him where he was headed. He growled, “Goin' to make trouble wherever I can,” laughed some more and said he'd be back later. I watched him saunter down the street still laughing at me. I was laughing too.
Months later, I had an appointment at Electric Ladyland. I walked into the Barrel for a beer before my appointment and found the usual afternoon small group at the bar. The wraithlike woman behind the bar was terribly upset. The bathroom door wouldn't open. Now, in order to understand this, one has to know the Apple Barrel bathroom. The door is closed and a little hook and eye lock is ready for use, but the door has to be pushed just a wee bit back open in order to actually place the hook into the eye. This is something that couldn't easily be accomplished by a slight slam of the door from the outside. The odds of that hook landing in that eye exactly without human hands placing it there are astronomical. After much discussion it was decided that we should pound on the door as there might be someone in there who was in distress. Each of us took a turn, with one of us attempting to look under the door, a fruitless but beer fueled suggestion. Finally it occurred to us that we'd been there an hour and hadn't seen anyone enter that bathroom. We were all accounted for.
At that moment, the bartender said, “Goddammit, it was Coco! We had an argument and he left in a snit, but he walked back and forth out there for a while. He did this. He slapped a hoodoo whammy on it.” No one in the place thought this far fetched, although all of us, except the bartender, found it hilarious. One of the other denizens explained that an argument had taken place and told me what it was about, some petty thing I can't remember now, then nodded solemnly saying, “Yeah, it had to be Coco.” The bartender then determined that Coco Robicheaux would never be allowed in that place again. The bathroom door was eventually taken off at the hinges and the hook was indeed in the eye and the assumption that Coco's hoodoo had caused it became an Apple Barrel truth, remaining so to this day.
The last time I saw him to talk to him was a couple months ago upstairs at Mimi's. He was playing a great set and I asked him if he'd mind if I recorded it. When he said no he wouldn't mind, I put my phone on the couch three feet from his mic and hit record. I just left it there and took a few pictures. I had a huge yellow bag with me that had been signed by many of the cast members of Treme as well as Mos' Def and Lloyd Price. Coco said he wanted to sign it and did. On a break I asked if I could buy him a drink. Dumb question. Of course the answer would be yes. He squinted his eyes into a slit, knowing me for a sucker, and asked for either a Remy Martin or a Courvoisier, I can't remember which. Then he grinned at me waiting to see if I'd spring for it. I said okay and he looked a little surprised when I came back with that instead of his usual tequila.
His CD, Revelator, had come out and as he sipped his drink he showed me how it was packaged. He was so proud that it wasn't in the standard jewel case. The CD itself clipped onto a hard grey material entirely made of potatoes and the cover was entirely recycled/recyclable paper. He told me he was thrilled that his music wasn't going to damage the earth with its packaging.
As he got ready for the next set I teased him about his shoes. He was wearing these pointy square toed white loafers with fleur de lis on them. I asked him if he'd just raided his 70's disco storage. He laughed that laugh of his and said, “Hey, these shoes still walk good!”
I have no doubt that the spirits he spoke of as being constant companions are his companions now. While he'll leave a big hole in our world, I am glad he didn't have a lengthy illness. I'm glad he left us in one of his favorite places, wherein he'll no doubt reside in spirit forever, perhaps locking the bathroom door randomly to amuse himself. His current companions already know of his kindness, his artistry, his metaphysical prowess and his laughter. I just wonder if they told him to leave those shoes behind as he'll no doubt “walk good” to the other side just fine without them.
Cross-posted at B2L2
Coco Robicheaux